Der oder die Valknut, deutsch auch Wotansknoten, ist ein germanisches Symbol, bestehend B. Lärbro Tängelgarda I) und ähnlichen Motiven, die in Verbindung mit „Tod im Kampf“ und dem Göttervater (Odin) stehen können. Auch auf dem. Auch bekannt als Odins Knoten und Hrungnir-Herz, die drei ineinander verschlungenen Dreiecke werden als das Symbol von Odin betrachtet. Eine Möglichkeit der Betrachtung des Valknut Symbols oder Wotans-Knoten ist, dass in diesem Symbol alle Dinge (Tugenden) vereint sind die Wotan (Odin).
Wikinger Symbole, nordische Runen und ihre Bedeutung als Tattooslena-japan.com › symbole › wikinger-symbole-bedeutung. - Image of Valknut symbol Odin's symbol. Magische und mystische Symbole 1 - Trends Vikinger Runen, Nordische Runen Tattoo.
Symbol Odin 2. A pair of wolves VideoViking Religious Symbols Zweifellos ist das Valknut eines der bekanntesten und beliebtesten Wikinger-. lena-japan.com › symbole › wikinger-symbole-bedeutung. Der oder die Valknut, deutsch auch Wotansknoten, ist ein germanisches Symbol, bestehend B. Lärbro Tängelgarda I) und ähnlichen Motiven, die in Verbindung mit „Tod im Kampf“ und dem Göttervater (Odin) stehen können. Auch auf dem. Eine Möglichkeit der Betrachtung des Valknut Symbols oder Wotans-Knoten ist, dass in diesem Symbol alle Dinge (Tugenden) vereint sind die Wotan (Odin).
Symbol Odin also keine eigene Symbol Odin vornehmen! - Wikinger Symbole: Odins Knoten ValknutRichtiger ist: das XP war ursprünglich ein geheimes Christenzeichen, doch hat es einen älteren heidnischen Ursprung: als Attribut des alten chaldäischen 1001 Nacht Spiel.
Odin loved wars, glorified the heroes and champions on the battlefield, and carelessly disregarded the rest.
The old Nordic and Germanic people viewed passion, ecstasy, and ferociousness as the qualities that glue the universe together and lead to the creation of life.
So, naturally, they ascribed these qualities to the wise Allfather god of their religion. However, he was also viewed as a patron god of criminals and outlaws.
The reason for this apparent contradiction goes back to Odin being viewed as a god of ecstasy and champion warriors.
As most outlaws were expert fighters driven by passion and ferocity, their connection to Odin was quite clear. Additionally, such criminals were traveling poets and bards which is another connection with the Allfather.
There is a distinction between the two. Odin only cares about the passion and glory found in war. As an extension of that, Odin is also a god of the dead in Norse mythology.
Where in other mythologies there are separate deities of the dead such as Anubis or Hades , here Odin takes on that mantle too. In particular, Odin is the god of the heroes who find glorious deaths on the battlefield.
There, the hero gets to drink, fight, and have fun with Odin and the rest of the gods until Ragnarok.
As a poet, shaman, and an old and experienced wanderer, Odin was also very wise in a more contemporary sense too.
Anywhere Odin went, the pair would accompany him. Odin even gave them all of his food. The meaning of wolves is somehow complicated as this animal suffers the most controversies in myth.
To put it simply, wolf captures the spirit of a warrior: a daring mind, a brave heart full of energy, the unbreakable loyalty to his pack and family, and a burning desire to set himself free from any chain.
The trio Valknut symbol, wolves, and ravens often appeared together to symbolize Odin's presence. Ravens embody the mental power of Odin.
They are the messengers of Odin and the storytellers for Odin. The Vikings used the bird symbols in armour and shields to evoke the power of Odin in their battles as well.
Loki once gave Odin an eight-legged horse who could gallop through the air and through the land.
The list is not all-inclusive, nor is it meant to be exhaustive but rather just a basic starting point. Remember, a picture is worth a thousand words.
Runes denoted phonetic sounds like letters but also had individual meanings like the glyphs of other ancient languages. Runic alphabets are called futharks.
The oldest known futhark arose sometime between the second and fourth century, which is not surprising considering that was the time when war and trade between Germanic and Mediterranean peoples were accelerating.
The Vikings had an oral culture and did not use runes to write just anything. Runes had power. They were seldom if ever penned onto parchment, as the enemies of the Vikings did in France, Ireland, and England; they were carved into wood, stone, metal, or bone hence their angular appearance.
Most of our surviving examples of runes are inscriptions on rune stones commemorating the lives of great rulers.
Runes also had expressly magical purposes and were engraved on amulets, talismans, beads, and shields to ensure protection and victory.
Rune casting was another magical use of runes in the Viking Age. The skilled practitioner then deciphers the message rendered, not only of the runes but also their orientation to each other similar to Tarot, in which the same card can have very different meanings depending on context.
Runes are associated with the god Odin, who first discovered them at great pain and effort from the Well of Destiny, at the foot of Ygdrassil.
For the Vikings, this discovery of runes meant that they were not invented tools of humankind but part of the larger, deeper truth.
The early runes became known as the Elder Futhark and were used by a wide range of Germanic and Norse tribes. Just before the Viking Age began, the Elder Futhark began to gradually give way to the more streamlined Younger Futhark.
The Younger Futhark has fewer runes only 16 to reflect changes in the Scandinavian language and dialects at that time. Again, the transition was gradual, and runes from the Elder Futhark that were no longer useful as letters remained in use as glyphs for quite some time.
And just as we can still interpret the Elder version today years later , Vikings skilled in rune lore were most likely capable of reading both.
Most of today's modern Viking jewelry relating to Runes reflects the Elder version as it offers more letters for easier translation to the English language.
The Vikings believed that people who lived ordinary lives went on to a shadowy existence after death, but those who died gloriously in battle lived on in Valhalla.
The Valkyries would carry the souls of these heroes from the battlefield. In Valhalla, they would live the Viking version of the good life: fighting great battles against each other every day but — in their immortal state — spending each night in revelry and feasting.
This paradise comes with a price, though. They will fight this doomed battle against the giants and fearsome creatures of darkness for the sake of our world and the world of the gods.
The Valknut is most-commonly believed to be the symbol of these slain warriors. The exact meaning of the three interlocking triangle shapes is unknown.
Clues arise from Celtic and Neolithic art from Northwestern Europe in which interlinking triple shapes are common indicators of magical power and magical essence.
Experts hypothesize that the Valknut may depict the cyclical path between life and death that these warriors experience.
Others believe that the nine points represent the nine worlds of Norse mythology. Hrungnir was a fearsome giant — the only giant that was ever able to wound Thor — so in some ways Hrungnir may also symbolize death.
While the details are lost to time, the Valknut symbol now calls to mind courage, bravery, and destiny throughout this life and the next. The Helm of Awe is mentioned in several of the Eddic poems as being used by both warriors and even dragons!
The symbol itself survives from later Icelandic grimoire books of magic , penned well after the Viking Age but from an unbroken intellectual lineage to sea traveling Vikings of earlier times.
I never faced so many men that I did not feel myself much stronger than they were, and everyone feared me. The eight arms or rays emit from the center point of the symbol.
The arms themselves appear to be constructed from two intersecting runes. These are Algiz runes for victory and protection intersected by Isa runes, which may mean hardening literally, ice.
So, the hidden meaning of this symbol may be the ability to overcome through superior hardening of the mind and soul. Vegvisir Viking Compass. The Icelandic symbol was a visual spell of protection against getting lost particularly at sea — something that would have been very, very important to the Vikings.
The Vikings may have had directional finding instruments of their own, such as the Uunartoq disc and sunstones; but most of their navigation came down to visual cues the sun, stars, flight patterns of birds, the color of water, etc.
Given the potentially disastrous consequences inherent in such sea voyages, however, it is easy to see why Vikings would want magical help in keeping their way.
The symbol comes down to us from the Icelandic Huld Manuscript another grimoire which was compiled in the s from older manuscripts now lost.
The exact age of the Vegvisir is therefore unknown. Triskele Horns of Odin. The Horns of Odin also referred to as the horn triskelion or the triple-horned triskele is a symbol comprised three interlocking drinking horns.
The exact meaning of the symbol is not known, but it may allude to Odin's stealing of the Mead of Poetry. The symbol has become especially significant in the modern Asatru faith.
The Horns of Odin symbol is also meaningful to other adherents to the Old Ways, or those who strongly identify with the god Odin.
The symbol appear on the 9th-century Snoldelev Stone found in Denmark and seen to the right. While the shape of this symbol is reminiscent of the Triqueta and other Celtic symbols, it appears on the Larbro stone in Gotland, Sweden which may be as old as the early eighth century.
On this image stone, the Horns of Odin are depicted as the crest on Odin's shield. The Triquetra or the Trinity Knot is comprised one continuous line interweaving around itself, meaning no beginning or end, or eternal spiritual life.
A similar design was found on the Funbo Runestone found in Uppland, Sweden seen to the right. Originally, the Triquetra was associated with the Celtic Mother Goddess and depicted her triune nature the maiden, the mother, and the wise, old woman.
The triple identity was an essential feature in many aspects of druidic belief and practice. Sigurd uses his sword Gram to cut the corslet, starting from the neck of the corslet downwards, he continues cutting down her sleeves, and takes the corslet off her.
The woman wakes, sits up, looks at Sigurd , and the two converse in two stanzas of verse. In the second stanza, the woman explains that Odin placed a sleeping spell on her which she could not break, and due to that spell she has been asleep a long time.
Sigurd asks for her name, and the woman gives Sigurd a horn of mead to help him retain her words in his memory. The woman recites a heathen prayer in two stanzas.
Odin had promised one of these— Hjalmgunnar —victory in battle, yet she had "brought down" Hjalmgunnar in battle. Odin pricked her with a sleeping-thorn in consequence, told her that she would never again "fight victoriously in battle", and condemned her to marriage.
Odin is mentioned throughout the books of the Prose Edda , authored by Snorri Sturluson in the 13th century and drawing from earlier traditional material.
In the Prose Edda book Gylfaginning chapter 38 , the enthroned figure of High Harr , tells Gangleri king Gylfi in disguise that two ravens named Huginn and Muninn sit on Odin's shoulders.
The ravens tell Odin everything they see and hear. Odin sends Huginn and Muninn out at dawn, and the birds fly all over the world before returning at dinner-time.
As a result, Odin is kept informed of many events. High adds that it is from this association that Odin is referred to as "raven-god". In the same chapter, the enthroned figure of High explains that Odin gives all of the food on his table to his wolves Geri and Freki and that Odin requires no food, for wine is to him both meat and drink.
Odin is mentioned several times in the sagas that make up Heimskringla. In the Ynglinga saga , the first section of Heimskringla , an euhemerised account of the origin of the gods is provided.
It was the custom there that twelve temple priests were ranked highest; they administered sacrifices and held judgements over men.
Odin was a very successful warrior and travelled widely, conquering many lands. Odin was so successful that he never lost a battle.
As a result, according to the saga , men came to believe that "it was granted to him" to win all battles.
Before Odin sent his men to war or to perform tasks for him, he would place his hands upon their heads and give them a bjannak ' blessing ', ultimately from Latin benedictio and the men would believe that they would also prevail.
The men placed all of their faith in Odin, and wherever they called his name they would receive assistance from doing so.
Odin was often gone for great spans of time. While Odin was gone, his brothers governed his realm. His brothers began to divvy up Odin's inheritance, "but his wife Frigg they shared between them.
However, afterwards, [Odin] returned and took possession of his wife again". According to the chapter, Odin "made war on the Vanir ". The Vanir defended their land and the battle turned to a stalemate, both sides having devastated each other's lands.
As part of a peace agreement, the two sides exchanged hostages. In Völsunga saga , the great king Rerir and his wife unnamed are unable to conceive a child; "that lack displeased them both, and they fervently implored the gods that they might have a child.
It is said that Frigg heard their prayers and told Odin what they asked", and the two gods subsequently sent a Valkyrie to present Rerir an apple that falls onto his lap while he sits on a burial mound and Rerir 's wife subsequently becomes pregnant with the namesake of the Völsung family line.
Gestumblindi said:. Heithrek said:. Local folklore and folk practice recognised Odin as late as the 19th century in Scandinavia.
In a work published in the midth century, Benjamin Thorpe records that on Gotland , "many traditions and stories of Odin the Old still live in the mouths of the people".
Local legend dictates that after it was opened, "there burst forth a wondrous fire, like a flash of lightning", and that a coffin full of flint and a lamp were excavated.
Thorpe additionally relates that legend has it that a priest who dwelt around Troienborg had once sowed some rye, and that when the rye sprang up, so came Odin riding from the hills each evening.
Odin was so massive that he towered over the farm-yard buildings, spear in hand. Halting before the entry way, he kept all from entering or leaving all night, which occurred every night until the rye was cut.
Thorpe notes that numerous other traditions existed in Sweden at the time of his writing. Thorpe records that in Sweden, "when a noise, like that of carriages and horses, is heard by night, the people say: 'Odin is passing by'".
References to or depictions of Odin appear on numerous objects. Migration Period 5th and 6th century CE gold bracteates types A, B, and C feature a depiction of a human figure above a horse, holding a spear and flanked by one or more often two birds.
The presence of the birds has led to the iconographic identification of the human figure as the god Odin, flanked by Huginn and Muninn.
Like Snorri 's Prose Edda description of the ravens, a bird is sometimes depicted at the ear of the human, or at the ear of the horse. Bracteates have been found in Denmark, Sweden, Norway and, in smaller numbers, England and areas south of Denmark.
Vendel Period helmet plates from the 6th or 7th century found in a grave in Sweden depict a helmeted figure holding a spear and a shield while riding a horse, flanked by two birds.
The plate has been interpreted as Odin accompanied by two birds; his ravens. Two of the 8th century picture stones from the island of Gotland, Sweden depict eight-legged horses, which are thought by most scholars to depict Sleipnir : the Tjängvide image stone and the Ardre VIII image stone.
Both stones feature a rider sitting atop an eight-legged horse, which some scholars view as Odin. Above the rider on the Tjängvide image stone is a horizontal figure holding a spear, which may be a valkyrie, and a female figure greets the rider with a cup.
He was a large wolf who would not stop growing and who was uncontrollable, even by the gods. Dwarfs fashioned a chain to keep Fenrir under control.
According to myth Fenrir is still chained and plots his revenge for being contained. At the dawn of Ragnarok Fenrir will break free and eat the moon and the sun.
He will also kill Odin. Fenrir is a symbol of destructive forces. He is something that cannot be contained and will wreak havoc upon the earth. The Vikings were one of the first Norsemen to travel and conquer parts of Europe.
They were able to do this with their longships. Longships were made to be rowed or used with a sail. They stood up to the ocean and were important in wars.
They could sail in both small streams and oceans and could be used to outpace their enemies. The curled front of the ship made many Europeans call them dragon ships.
These were not large ships but were more like boats. Still, the Vikings used them to conquer Europe and sail to North America.
Viking would often be buried in their longships so they could be used in the afterlife. There were two famous longships in Viking mythology.
Frey was the god of fertility and peace. His ship could be folded up and stored in a pocket. It could also hold all the gods. The second ship is Nalgfar.
It is the ship of Hel, the goddess of the underworld.